Published by Roger on 06 Mar 2010
Saturday, 6 March 2010 — At last, Cornwall
For the last week of November 2009, I moved to Croft Farm Holiday Park, Luxulyan, near St Austell. I had never before been in Cornwall. I can’t imagine why.
Admittedly I was not seeing the caravan site under the best of conditions — it was winter and the weather had been dismal for weeks — but I still found it tired and a bit scruffy. The Web pages give a misleadingly polished impression of the place. Also, cellphone and Internet reception were poor.
On the other hand, the staff were very friendly, the amenities all worked and the stream-side dog walk would be lovely in decent weather. Croft Farm therefore gets a ‘good plus’ rating.
I was in this part of the county for one reason, which was to visit the Eden Project. Croft Farm is only a mile from it but it’s best to drive there. There are too many blind corners, too few verges and too many unimaginative drivers to risk walking there by road.
Making an Eden Project — the quick way
Get six cups from egg poachers and fill with frog spawn. Put them in the freezer, open side up. While they’re chillin’, dig a roughly circular hole in your garden about two feet across and four inches deep (60 cm and 10 cm in Napoleonic units).
Once the spawn has frozen, gently invert each cup just above the base of the hole and let the contents slide on to the ground. Arrange the jellies in two groups of three.
Make a Harry Potter-style Expandiamus! spell to enlarge everything a thousand times. Install roads, electricity, running water and other services and fill everything with plants. Invite people.
The reality
At this point you might expect me to bombard you with facts and figures intended to astonish. I shall instead point you to this Web site, which has enough of those to have kept both McWhirter twins busy.
What I will say is that no Web site, book or television programme can prepare you properly for the reality of this place. Not until you get there can you grasp the enormous size of it, the cleverness of the project’s design and the bravura of its architecture.
I was deeply (no pun intended) impressed with all those and with the energy and imagination of its founder, Tim Smit. This page gives you an idea of the breadth of his activities. (I like the reference to “free time”. How can he have any? The man’s a human dynamo.)
In case you’re wondering about the term, “biome”, it means an interconnecting community (or set of communities) of matter, plants and animals. A biome can be as large as the Earth or as small as a thimbleful of soil. It’s an ecosystem, in other words.
Two of the three biomes at the project are enclosed in the plastic-skinned domes designed by Nicholas Grimshaw, architect also of the international terminal at Waterloo station and the Ludwig Erhard building, which houses the Berlin Stock Exchange. (Grimshaw designed the British pavilion at the 1992 Seville Expo, which I was lucky enough to attend. A feast for the eyes, and other senses.)
Technically speaking, these structures are geodesic domes, as popularised by Buckminster Fuller. Their use is consistent with the conservation arguments advanced through the project.
A lightning tour
Here is a view from inside the Mediterranean dome. Until recently it was called the Warm Temperate biome, which is more accurate.
In the foreground you can see an Aloe, possibly Cape Aloe (Aloe ferox), also called Bitter Aloe. It is a South African plant (a long way from the Med, then) with many medicinal and cosmetic uses.
This is a clue to the purpose of the project. It’s not to show beautiful flowers planted artfully, as pleasure gardens such as Sissinghurst do, or for the study of plant families and their relationships, as in botanical gardens like Kew. The emphasis here is on plants useful to humankind and how we use them.
For good reason, the project defines itself as an educational charity, “aiming to promote the understanding of the vital relationship between plants and people”. Everywhere you go, there are labels, examples, stalls and huts that explain how Man puts to use the plants you are looking at.
The other main enclosed garden is the Rainforest Biome, formely known as the Humid Tropics Biome. They’re not kidding! I walked in from the cool outside and straight away went blind.
After just a couple of paces my spectacles had misted up so thoroughly I had to take them off to see. I looked around and there was every other spectacle wearer doing the same.
After a few more paces, we all also rapidly removed our coats. It was hot, too, something you noticed even more as you walked up the slopes inside.
My camera steamed up, as one would expect. The moisture took a good half-hour to clear, so I sat on one of the many benches and soaked up the sights and sounds around me, which was no bad thing. There is a lot to take in. As the project’s 2007 annual report says:
Eden is about spectacle, education, the application of science and social change; its plants represent the world’s greatest collection of plants useful to man ever gathered in one place.
Outside the domes
There is plenty to see elsewhere in this huge place. The grounds surrounding the domes are referred to as the Outside Biome and contain the bulk of the planting at the project. At that time of year, there was little in fruit or flower but you could see how impressive it would be in other seasons.
As I through Eden took my solitary way, I came across this dramatic sculpture. Made in 2005 by Paul Bonomini, it’s called the WEEE Man, which might be a pun on the Scottish term for a handy bloke. The statue is far from wee, though, being over 20 feet tall.
WEEE is also the acronym of waste electrical and electronic equipment, which we all throw away in vast quantities. I’ve played with the tones in the picture a little to bring out the science-fiction effect.
There are other sculptures and pieces of art throughout the project, indoors and out.
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Nearby is The Stage. In warmer weather it’s an open-air auditorium for concerts by popular rhythm combos I’ve never heard of. In winter, it’s closed off and becomes an ice rink.
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There are two other large buildings on the site. One is the visitor centre and booking hall. It has a long shop selling a wide range of knick-knackery on conservation themes and various overpriced organic and Fairtrade foodstuffs.
More interesting is The Core, the project’s education centre. This also is a Grimshaw design and is largely made of wood. Here, left, you can see the upper restaurant, one of several eateries in the project (but with no smell of frying onions anywhere).
This page tells you about The Core. And here is an explanation of the Fibonacci sequence and its relation to plant structure. (The site is for children, which is why it’s written in such a cringe-inducing way. Sorry about that; it was the least daunting I could find.)
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That ends the account of my whizz round this wonderful place. (In fact, it took several hours.) I hope I’ve done it justice. I should like to return one day, at a later season. There is far too much to take in during just one visit.
Lost and found department
When I went to St Austells I had a vague plan also to visit the Lost Gardens of Heligan, an earlier Tim Smit project. The state of the outside gardens at the Eden Project made clear this would be the wrong season to do so.
I did though wonder why they are called the “lost” gardens. I have a mental picture of convoys of motor coaches endlessly trundling around the Cornish lanes in a vain search for them, each a four-wheeled Flying Dutchman.
These are, of course, the found gardens of Heligan but where’s the romance in that? Calling them the lost gardens is a marketing masterstroke. You’d half-expect to stumble upon Tristan and Iseulte canoodling in some leafy bower, while round the corner, and armed only with a Flit pump, Professor Challenger confronts a giant carnivorous squirrel.
I shall have to wait until another time to find out the truth.
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St Ives is next.





































